Archive for January, 2012

Nazis, Communists and Socialists Support Occupy Wall Street Protest

Oh dear. A frightening mix of the common misconception “NAZIS WERE SOCIALISTS SO ALL SOCIALISTS ARE NAZIS” and blistering ignorance of the intricacies of populism, right/left politics and fringe politics.

I’ll try and break this down:

-Nazism is not socialism. I don’t care if it has “social” or “socialist” in the name– philosophies aren’t solely defined by their names, they are defined by their actions and their makeup. As a poignant example, one of the policies of “national socialism” was to imprison and execute “socialists.” Furthermore, the NSDAP adopted the “socialist” moniker in the early thirties as a way of blending in with the majority of leftist/marxist revolutionary groups operating in Germany at the time. Furthermore, modern day “neo-nazis” bear little resemblance to the political philosophy that birthed them– neo nazis do not have any practical philosophy outside of extreme anti-semitism.

-Yes, nazis are attracted to the OWS movement because the OWS movement is going after bankers. In the narrow, stunted mind of the typical neo-nazi, “jew” and “banker” are interchangeable, but this article clearly eschews any cursory examination of the OWS movement to determine whether any part of it is inherently anti-semitic (it isn’t) for the sake of a cheap partisan attack that only serves to pander to a slack-jawed audience that only wants to hear the same thing repeated from different mouths. The end result is that the article winds up adopting and parroting the exact same philosophy as the nazis: “bankers are synonymous with jews.” Nice work.

-Populist politics is a free for all. Politicians and political movements frequently adopt populist monikers, popular struggles and all trappings of being “for the people” when they attempt to use the success of said elements to bolster their own flagging movements. The barnacle is not an intrinsic part of the ship, even though both move to the same place at the same speed.

Repeating obvious falsehoods and shameless propaganda only underscores the frantic dishonesty and intellectual weakness of the apologists for the 1%.


Well, you learn something new every day.

And today’s lesson is: Jason Thompkins of Harvest Rain is a hitler fetishist. No, really. You know, an actual “esoteric hitlerist“. There’s no weaseling out of this like people like to do with Death in June or Boyd Rice–he’s not utilizing fascist imagery in a completely unoriginal attempt to shock his audience, he honestly belives that adolph hitler is/was the tenth and final avatar of Vishnu, come to earth to end our current age of the Kali Yuga. Furthermore, that link I posted is him bragging about how he’s hand-translating The Golden Ribbon: Esoteric Hitlerism, which was written by another hitler fetishist, Miguel Serrano.

This makes me feel bad that I spent a grand total of 10 dollars picking up two of Harvest Rain’s releases out of the used CD store. I really don’t want this nazi trash in my house, so watch this space as I post the results of their complete and total ontological destruction.

I will remove their artifacts from the physical world, and, in so doing, stab at their heart in the spiritual world. No pasaran! The date and time has been set: January 23, 2:39 AM EST, when the new moon reaches its time of maximum darkness.

Or, if you’re a nazi piece of shit, I’ll sell you each of these at $100 USD each. I promise to donate that money to your local ARA so they can kick your face in.


Why does it seem like half of the people who proclaim themselves to be pro-Palestinian do so not because they actually care about Palestinians, but because they want an excuse to hate Jews? If I stumble upon another site that consists entirely of “ALL JEWS ARE EVIL DEMON BANKERS AND HERE IS THE PROTOCOLS OF ELDERS OF ZION TO PROVE IT” with a little “I support Palestine!” button at the bottom, I’ll scream. I also find it ironic that Nazis use that Israeli flag with the swastika in it as some sort of insult– don’t you assholes like that symbol and what it represents? I mean, if Israel really is a fascist state that practices ethnic cleansing, shouldn’t you be supporting it?


Mark Rothko- Untitled (Black on Grey)

I tend to perceive noise music much in the same vein as abstract impressionist painting. Noise presents the listener with an imposing, seemingly impenetrable wall of chaos, but like any Jackson Pollack or Franz Kline, these pieces aren’t meant to be immediately consumed, digested and understood by a casual audience. Instead, they utilize the intimidating power of their cursory uniformity as a lens to discover intricacies within the piece.

Consider the use of samples in noise works much in the same way an artist would use magazine cut-outs or shredded photographs in their art. Also, consider what separates noise artists from people who make rote, unimaginative copies of pre-existing works in a vain attempt to score a quick buck or further a political cause.

You know, how every other nazi skinhead with an amp, a distortion pedal and a shitty tape recorder thinks they’re the next Masami Akita?


heksenhaus:

death in june is terrible, irrelevant, and hasn’t done anything even listenable in almost twenty years.

douglas pearce is a cryptofascist piece of shit.

“I’m not a fascist because I have Israeli and Rainbow flags on my website! Nazis can’t be gay so I’m not a nazi. Now let’s take my band that’s named after a nazi event, dress in wehrmacht uniforms, sing songs about how great German culture is, nazi events and nazi people that’ll later appear on nazi-themed compilations. Then let’s go on tour with other bands who like to sing about the same stuff we sing about. Gosh, sure are a lot of white people with shaved heads in the audience at our shows!”

The first time I listened to them, I really did wonder what all the fuss was about. It’s sub-par folk warbling that wouldn’t last at an open mic night at the coffee shop.

Maybe DiJ is just one big joke on people who don’t like music, because he’s been speak-singing and atonally thrumming his acoustic guitar to the same song for years now, and the sheer volume of absurd EXTREMELY LIMITED EDITIONS of the same songs in a different order is pretty much the same strategy of a car manufacturer taking last year’s model and putting go-faster stripes on it. It’s also incredibly insulting to state that because someone doesn’t like DiJ, they don’t “get” it. What’s to get? Douglas thought up the lyrics, wrote the music entirely separately and then sloppily bolted them together in an ungainly, amelodic and tedious blob of sound.

Out of, what, 40+ albums(?) I think can find six tunes that don’t make me want to fill my ears with cement– and I don’t think it’s any surprise that they’re drone tracks that don’t feature douglas’ voice OR his fucking guitar.